Flags, Fences & Faith

Subtly visible in Dobson’s “Flags, Fences & Faith” is a repeating silhouette of a burdened Black man, emblazoned in a houndstooth pattern, ascending the segregated stairs of a southern theater. He frequently appears in her works as a symbol of ascension amidst unfathomable challenge and as a reminder that when divisive taxonomies recede, community, in its broadest and truest sense, will emerge.

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